By Odile Ferly (auth.)
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Additional resources for A Poetics of Relation: Caribbean Women Writing at the Millennium
One early unconventional protagonist is Carmela Eulate Sanjurjo’s Rosario in La muñeca, who truly enjoys the decorative role she has been ascribed by society. Brought up to worship her own image, she indulges in it. Her passion for luxurious dresses and jewelry leads her husband to bankruptcy and suicide. Yet Rosario is not presented as his victimizer: she remains unaware of her husband’s financial situation and suicide. Thus the angel turns into a narcissistic devil, callous and empty. Here the author does not so much denounce Rosario’s frivolity as the sexism that leads men of the elite to treat women as precious possessions valued primarily for their appearance.
Condé’s protagonists, who are for the most part urban or diasporic, constitute a notable exception.
Like Pineau’s Angela who denounces her father, Sophie thus breaks the cycle of oppression. Here again, an alternative Relating the Female Experience O 37 tradition that values rhizomic connections is set against a pernicious heritage revolving around filiation (the generations-old custom). Distancing herself from her mother and the Haitian diasporic community, Sophie establishes new connections, notably through Joseph, whose Louisiana background bridges Haitian and African American cultures, and through her all-female therapy support group.
A Poetics of Relation: Caribbean Women Writing at the Millennium by Odile Ferly (auth.)